Frank Zappa - Does Humor Belong In Music? mp3 flac download

Frank Zappa - Does Humor Belong In Music? download mp3, flac

Tracklist Hide Credits

1 Zoot Allures
Written-By – Zappa*
5:26
2 Tinsel-Town Rebellion
Written-By – Zappa*
4:43
3 Trouble Every Day
Written-By – Zappa*
5:31
4 Penguin In Bondage
Written-By – Zappa*
6:44
5 Hot-Plate Heaven At The Green Hotel
Written-By – Zappa*
6:32
6 What's New In Baltimore?
Written-By – Zappa*
4:47
7 Cock-Suckers' Ball
Arranged By – Zappa*Written-By – Trad.*
1:05
8 WPLJ
Written-By – Dobard*
1:30
9 Let's Move To Cleveland
Soloist, Drums – Chad WackermanSoloist, Keyboards – Alan Zavod*Written-By – Zappa*
16:43
10 Whippin' Post
Guitar [Solo] – Dweezil ZappaWritten-By – Allman*
8:23

Companies, etc.

  • Phonographic Copyright (p) – Rykodisc
  • Published By – Zappa Family Trust
  • Published By – Munchkin Music
  • Published By – Frank Zappa Music
  • Published By – Dobard Music
  • Published By – Warner-Tamerlane Publishing Corp.
  • Published By – Elijah Blue Music
  • Recorded At – Hammersmith Odeon
  • Recorded At – Civic Center, Providence
  • Recorded At – Amherst College
  • Recorded At – Tower Theater
  • Recorded At – Bismark Theater
  • Recorded At – The Bay Front Arena
  • Recorded At – Paramount Theatre, Seattle
  • Recorded At – Queen Elizabeth Theatre
  • Recorded At – Universal Amphitheatre
  • Recorded By – UMRK Mobile
  • Remixed At – UMRK

Credits

  • Arranged By, Producer – Frank Zappa
  • Artwork [Art] – Cal Schenkel
  • Bass – Scott Thunes
  • Drums – Chad Wackerman
  • Engineer [Recording] – Mark Pinske, Thom Ehle
  • Engineer [Remix] – Bob Stone
  • Keyboards – Alan Zavod*
  • Keyboards, Saxophone, Vocals – Bobby Martin
  • Lead Guitar, Vocals – Frank Zappa
  • Rhythm Guitar, Vocals – Ike Willis, Ray White

Notes

Remote Recording Facility: UMRK Mobile.
Remixed at UMRK.
Approved Remix & Remaster, 1993.
This material is 100% digital, 100% live, with NO over-dubs.

These songs were selected from the repertoire of the 1984 World Tour. Over a six month period, many hours of exciting live material was recorded in a 24 track digital format. It took another six months to remix it onto PCM 1610 digital 2 track masters. If you enjoy this recording, be advised that there is a lot more lurking in the vault. These tunes were selected because they follow the basic outline of the "DOES HUMOR BELONG IN MUSIC?" PMI/ICA video tape, as well as presenting some new, unreleased material. The recording dates were:
The Odeon Hammersmith, London, England, 8/10/84
The Civic Center, Providence, Rhode Island, 26/10/84
Amherst College, Lowell, Massachusetts, 28/10/84
The Tower Theater, Philadelphia, Pennsylvania, 10/11/84
The Bismark Theater, Chicago, Illinois, 23/11/84
The Boy Front Arena, St. Petersburg, Florida, 1/12/84
The Paramount Theater, Seattle, Washington, 17/12/84
Queen Elizabeth Theater, Vancouver, British Columbia, 18/12/84
The Universal Amphitheater, Los Angeles, California, 23/12/84.

Song Information:
Track 1, "Zoot Allures", - head is from London, solo from Providence
Track 2, "Tinsel-Town Rebellion", - body of tune is from Chicago Illinois, ending is from Seattle.
Track 3, "Trouble Every Day", - verses from St. Petersburg, solo from London
Track 4, "Penguin In Bondage", - vocal sections from Vancouver and St. Petersburg, solo from Vancouver
Track 5, "Hot-Plate Heaven At The Green Hotel", - Vancouver
Track 6, "What's New In Baltimore?", - front of tune is from Los Angeles, vocals from Philadelphia, solo is from Los Angeles
Track 7, "Cock-Suckers' Ball", - Los Angeles
Track 8, "WPLJ", - Los Angeles
Track 9, "Let's Move To Cleveland", - intro from Los Angeles, piano solo from St. Petersburg, drum solo from Vancouver, guitar solo from Amherst College, out chorus from Los Angeles
Track 10, "Whippin' Post", - Los Angeles (the last song of the last show of the last tour).

All selections by Frank Zappa, published by The Zappa Family Trust d/b/a Munchkin Music (ASCAP), except track 3, "Trouble Every Day", published by The Zappa Family Trust d/b/a Frank Zappa Music (BMI).
Track 7, "Cock-Sucker's Ball", is an arrangement made from an acapella bootleg recording by the Clovers with no writer or publisher credits. Track 8, "WPLJ", published by Dobard Music (BMI). Track 10, "Whippin' Post", published by Warner-Tamerlane Publishing Corp. (BMI) & Elijah Blue Music (BMI).

℗ 1995 Rykodisc.
Original art © 1995 Cal Schenkel artworks.
The green-tinted jewel box is a registered trademark of Rykodisc. Manufactured in Canada.

Barcode and Other Identifiers

  • Barcode: 0 014431 054822
  • Matrix / Runout: Sony DADC RCD10548 14
  • Mastering SID Code: IFPI L554
  • Mould SID Code: IFPI 94K5

Other versions

Category Artist Title (Format) Label Category Country Year
CDP 7 46188 2 Frank Zappa Does Humor Belong In Music? ‎(CD, Album) EMI CDP 7 46188 2 Europe 1986
HD 005 Frank Zappa Does Humor Belong In Music? ‎(LP, Album, Unofficial) EMI HD 005 Europe 1986
RCD 10548 Frank Zappa Does Humor Belong In Music? ‎(CD, Album, RE, RM) Rykodisc RCD 10548 US 1995
none Frank Zappa Does Humor Belong In Music? ‎(LP, Album, Unofficial, Whi) EMI none Europe 1986
JPCD 2000120 Frank Zappa Does Humor Belong In Music? ‎(CD, Unofficial) ООО "ДОРА" JPCD 2000120 Russia 2000

Frank Zappa - Does Humor Belong In Music?

Performer: Frank Zappa

Album Title: Does Humor Belong In Music?

Category: Jazz, Rock

Label: Rykodisc ‎– RCD 10548
Type: CD, Album, Reissue, Remastered, Repress
Country: Europe
Date of released:
Category: Jazz, Rock
Style: Jazz-Rock, Avantgarde, Prog Rock

Size ZIP (MP3): 1749 mb

Size ZIP (FLAC): 1772 mb

Rating: 3.8 / 5

Votes: 456

Other Formats: AC3 MOD AA DTS DXD AIFF AUD


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