Various - "Too Late, Too Late": More Newly Discovered Titles, Supplements & Alternative Takes, Volume 13 (1921-1940) download mp3, flac

Tracklist Hide Credits

1	–Daisy Martin	Royal Garden Blues (Take A) Banjo – Unknown ArtistClarinet – Unknown ArtistCornet – Unknown ArtistDrums – Unknown ArtistPiano – Unknown ArtistTenor Saxophone – Unknown ArtistTrombone – Unknown Artist	3:18
2	–Juanita Stinnette Chappelle	I Got To Cool My Doggies Now Banjo – Unknown ArtistClarinet, Alto Saxophone – Unknown ArtistCornet – Unknown ArtistPiano [Possibly] – Bobby Lee Trombone – Unknown Artist	2:19
3	–Archie Harrod	The Dog, The Flea And The Bumble Bee Clarinet – Unknown ArtistCornet – Unknown ArtistPiano – Unknown ArtistTrombone – Unknown Artist	3:29
4	–Archie Harrod	When Malindy Sings	3:05
5	–Georgia Harvey	Just Because You're You	3:21
6	–Georgia Harvey	Castaway Clarinet – Unknown ArtistCornet – Unknown ArtistPiano – Unknown ArtistTrombone – Unknown Artist	3:09
7	–Helen Baxter	She Walked Right Up And Took My Man Away (Take B) Clarinet – Unknown ArtistPiano – Unknown ArtistTrombone – Unknown ArtistTrumpet – Unknown Artist	4:26
8	–Norfolk Jubilee Quartet	Eziekel Saw De Wheel (1813-1)	2:48
9	–Viola McCoy & Billy Higgins	I Don't Want Nobody (That Don't Want Me) Clarinet – Bob FullerPiano – Louis Hooper	3:33
10	–Clarence Williams & Clarence Todd	Just A Cotton Picker's Blues	3:04
11	–Clarence Williams & Clarence Todd	Temptation Blues	2:45
12	–Ida Cox	Aching Blues Banjo – Charlie DixonClarinet – Don RedmanCornet – Elmer ChambersPiano – Fletcher HendersonTrombone – Charlie Green	3:13
13	–Trixie Smith	Love Me Like You Used To Do (Take 1) Banjo – Charlie DixonBrass [Brass Bass] – Ralph EscuderoClarinet – Buster BaileyCornet – Joe Smith Piano – Fletcher HendersonTrombone – Charlie Green	2:39
14	–"Ma" Rainey*	Jealousy Blues (Take 4) Banjo – Unknown ArtistCornet [Possibly] – Dave C. Nelson*Cornet [Probably] – Bernie YoungPiano [Probably] – Lil HendersonSoprano Saxophone, Alto Saxophone [Possibly] – Barney Bigard, Stump Johnson*Trombone [Possibly] – Albert Wynn	2:54
15	–Katherine Baker	I Had To Come Back Home Blues Guitar [Possibly] – George Thomas , Henry MoonPiano – James Johnson	2:39
16	–Anna Bell	Lock Step Blues (Take - -) Brass [Brass Bass] – Cyrus St. ClairClarinet – Arville HarrisCornet – Ed AllenPiano – Clarence Williams	3:12
17	–Famous Hokum Boys	Nancy Jane (Take 2)	2:48
18	–Bert Howell	I'll Be Smiling When You're Crying Piano [Possibly] – Gus Horsley	2:46
19	–Bert Howell	You're Driving Me Crazy	2:58
20	–Kokomo Arnold	Biscuit Roller Blues (Take B)	3:18
21	–Bill Gaither	Rocky Mountain Blues (Take A) Piano – Honey Hill	3:10
22	–Curtis Jones	Reefer Hound Blues (Take 4–Alt.) Drums – Unknown ArtistElectric Guitar – Unknown Artist	3:02
23	–Mattie Hardy With Joe Williams And His Chicago Swingers	I Love My Baby	2:53
24	–Creole George (Gayno) Guesnon*	Mississippi Town (Jackson Blues) (Take B) Drums – Bob Warren Electric Guitar – Jimmy ShirleyPiano – Edward J. AllenTrumpet – Wingy Carpenter	3:03

Companies, etc.

• Remastered At – Soundborn Studios
• Pressed By – DADC – A0100306251-0101
• Copyright (c) – Document Records
• Recorded At – Paramount Studio, Grafton

Credits

• Baritone Vocals – Delrose Hollins (tracks: 8)
• Bass Vocals, Management [Manager] – Len Williams (tracks: 8)
• Lead Vocals – Otto Tutson (tracks: 8)
• Liner Notes – Dr. Guido Van Rijn*
• Producer, Compiled By – Johnny Parth
• Remastered By – Gerhard Wessely
• Tenor Vocals – J. "Buddy" Archer (tracks: 8)
• Trumpet, Alto Saxophone, Piano, Guitar, Bass [String Bass] – Joe Williams And His Chicago Swingers (tracks: 23)
• Ukulele – Clarence Todd (tracks: 10, 11)
• Vocals – Anna Bell (tracks: 16), Archie Harrod (tracks: 3, 4), Bert Howell (tracks: 18), Billy Higgins (tracks: 9), Clarence Williams (tracks: 10, 11), Creole George (Gayno) Guesnon* (tracks: 24), Daisy Martin (tracks: 1), Ellen Coleman (tracks: 7), Georgia Harvey (tracks: 5), Ida Cox (tracks: 12), Juanita Stinnette Chappelle (tracks: 2), Katherine Baker (tracks: 15), Gertrude "Ma" Rainey* (tracks: 14), Mattie Hardy (tracks: 23), Trixie Smith (tracks: 13), Viola McCoy (tracks: 9)
• Vocals [Added Vocals] – Clarence Todd (tracks: 10)
• Vocals, Guitar – Big Bill Broonzy (tracks: 17), Bill Gaither (tracks: 21), Frank Brasswell (tracks: 17), Kokomo Arnold (tracks: 20)
• Vocals, Piano – Curtis Jones (tracks: 22), Georgia Tom Dorsey* (tracks: 17)
• Vocals, Ukulele – Bert Howell (tracks: 19)
• Vocals, Whistling – Georgia Harvey (tracks: 6)

Notes

Remastered at Soundborn Studios, Vienna.

Original recordings from the collections of Joe Lauro, Max Vreede, and Ralph Wondraschek.

Original Matrix Information:
1: New York City, c. early April 1921 (7466-A, Gennett 4712)
2: New York City, c. October 1921 (C-2-2, C&S 5009)
3: New York City, c. February 1922 (none, Paramount 12115)
4: New York City, c. February 1922 (none, Paramount 12115)
5: New York City, c. November 1922 (-1, Black Swan 14119)
6: New York City, c. November 1922 (-1, Black Swan 14119)
7: New York City, September 14, 1923 (9163-B, Edison 51242)
8: New York City, c. July 1924 (1813-1, Paramount 12217)
9: New York City, c. October 1924 (31696, Ajax 17069)
10: New York City, c. December 1924 (73276-B, OKeh 8204)
11: New York City, c. December 1924 (73279-A, OKeh 8204)
12: New York City, late January 1925 (1999-1, Silvertone 3563)
13: New York City, c. December 1925 (2365-1, Paramount 12330)
14: Chicago, c. March 1926 (2451-4, Paramount 12364)
15: Chicago or Richmond, Indiana, May 18, 1927 (12802-B, Gennett 6194)
16: Long Island City, New York City, c. September 1928 (174-, Broadway 5033)
17: New York City, April 9, 1930 (9597-2, Oriole 8013)
18: Grafton, Wisconsin, January 1931 (L-732-2, Paramount 13063)
19: Grafton, Wisconsin, January 1931 (L-737-2, Parmaount 13063)
20: Chicago, February 5, 1935 (C-9775-B, Decca 7059)
21: New York City, August 27, 1937 (62569-A, Decca 7434)
22: Chicago, September 27, 1938 (C-2343-4-alt., Vocalion 04520)
23: Chicago, November 2, 1938 (C-2378-1, Vocalion unissued)
24: New York City, April 4, 1940 (67497-B, Decca 7792)

Document DOCD-5522 uses an unknown take of track 1 (not -A, as given erroneously).
The take of track 7 used for JPCD-1526-2 is -A or -C.
Document DOCD-5333 uses take 2 of track 13.
Document DOCD-5583 uses take 3 of track 14 (not -4, as given erroneously).
Document DOCD-5252 uses take B of track 21.
Document DOCD-5297 also uses take 4 of track 22, but it appears to be a different version.
Track 23 is incomplete due to destroyed grooves against the end of the original 78 rpm test pressing.
The take of track 24 used on Document DOCD-5468 is -A.

© 1999 by Document Records.
Made in Austria.

Barcode and Other Identifiers

• Barcode: 7 14298 56602 4
• Matrix / Runout: A0100306251-0101 12 A1 DADC
• Mastering SID Code: IFPI L552
• Mould SID Code: IFPI 94E1